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Toronto 2022

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Hot docs EFP inside

81 articles available in total starting from 21/01/2022. Last article published on 21/09/2022.

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Review: Aftersun

Review: Aftersun

CANNES 2022: Charlotte Wells demonstrates her potential as a filmmaker with a subtle, sensitive and highly controlled first feature about the holidays of a divorced father and his 11-year-old daughter  

21/05/2022 | Cannes 2022 | Critics’ Week

Review: One Fine Morning

Review: One Fine Morning

CANNES 2022: An expert in observing and distilling the micro-emotions which form the fabric of our lives, Mia Hansen-Løve paints a wonderful portrait of a woman facing a crossroads in her life  

20/05/2022 | Cannes 2022 | Directors’ Fortnight

Review: Plan 75

Review: Plan 75

CANNES 2022: Produced by Japan, France and the Philippines, Chie Hayakawa's first feature film deals with the delicate subject of euthanasia in a subtle and slightly futuristic way  

20/05/2022 | Cannes 2022 | Un Certain Regard

Review: El agua

Review: El agua

CANNES 2022: Elena López Riera makes her feature directorial debut with a fluid film, that organically flows between non-fiction as well as legend, mystery and doom  

20/05/2022 | Cannes 2022 | Directors' Fortnight

Review: Corsage

Review: Corsage

CANNES 2022: Director Marie Kreutzer and actress Vicky Krieps reunite for this alternative look at the life of Empress Elisabeth of Austria  

20/05/2022 | Cannes 2022 | Un Certain Regard

Review: Mariupolis 2

Review: Mariupolis 2

CANNES 2022: Mantas Kvedaravičius died in Mariupol, but the footage he filmed has been salvaged and has now been presented at Cannes as a new feature-length documentary  

20/05/2022 | Cannes 2022 | Special Screenings

Review: EO

Review: EO

CANNES 2022: Poland’s Jerzy Skolimowski proves that donkeys do have layers in this trippy, engaging offering inspired by Bresson  

20/05/2022 | Cannes 2022 | Competition

Review: Dry Ground Burning

Review: Dry Ground Burning

BERLINALE 2022: In the Brazilian favela of Sol Nascente, an all-female crime ring makes a play on the illegal gasoline trade in this bracing docu-drama mashup by Adirley Queirós and Joana Pimenta  

22/02/2022 | Berlinale 2022 | Forum

Review: Unrest

Review: Unrest

BERLINALE 2022: There will be time for anarchist revolution in the watchmaking ateliers of Switzerland, claims rising and now Berlin-awarded filmmaker Cyril Schäublin  

22/02/2022 | Berlinale 2022 | Encounters

Cyril Schäublin • Director of Unrest

Interview: Cyril Schäublin • Director of Unrest

“By putting the people and the language to the margins of the frame, maybe the construction of those re-enacted situations becomes more visible”

BERLINALE 2022: The Swiss director's film is a trip back to the 19th century where the anarchist movement found fertile ground in Switzerland  

15/02/2022 | Berlinale 2022 | Encounters

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